During the pandemic, I began dyeing materials with either foraged or ethically sourced natural dyes. I had been working with imaginal and mythic presences experienced when working with land and in ceremony for the last ten years, and had a sudden urgency to bring these beings into material form.

I felt I had drifted off somewhat into the murky realm between the visible and the invisible, and dyeing and stitching became a way of imbuing life back into form, and stitching my internal world and external world back together again.

The works that follow belong to those liminal years 2021-2024, and form an archetypal landscape of beings who show up across lands and territories.