I make and search for reparative practices to attend the impact of colonial capitalism's enclosures of land, bodies and practices, asking instead how the land guides and gives rise to transformative justice and abolitionist futures.

This formed the body of my practice-based PhD “River Stone Ceremony; A Material Poet(h)ics of NonHuman - Human Witnessing” 2020. I now share this approach in workshops, independent learning contexts and as visiting lecturer in higher education. I am member of Decolonising Botany, initiated by Youngsook Choi and Taey Iohe. 

I’ve made choreographic/performance work for The Yard Theatre, Steakhouse Live, Martin Gropius Bau, Kule Berlin, SPILL Festival amongst others; and performed for choreographers including at Tate Modern, Hayward Gallery, Kunstfestival Hamburg.

I’m currently working on TWO RIVERS - a land school, centering rites of passage and land ceremony. Combining practices of belonging, soul-work, spiritual ecology, radical performance, a politics of listening to the field and systemic justice, agro-ecology and decolonial land practices. I imagine this as a physical place, built sustainably by/with community hands and queer kin.

I’m also a family constellations practitioner and rites of passage guide. You can find out more about a rites of passage collective I’m part of here. Do reach out if you’d like to know more about this work or are interested in it for your community, workplace, institution or higher education.